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[Featured Post] KAPFEST Lifetime Achievement Award Goes to Another Family Head of Writers

• Post author:Ahmad Mubarak Tanimu
• Post published:September 25, 2026

[Featured Post] Cult, Credo, Ethos, Mores, and Toxic Brotherhood: Sample Visual Art and the Protestant Socio-political Condition

• Post author:Kehinde Folorunsho
• Post published:September 21, 2026

[Featured Post] Efe Paul Azino: The Principle of the Hiding Hand and a New Festival for Black and Africans in New York

• Post author:Michael Chiedoziem Chukwudera
• Post published:September 19, 2026

[Featured Post] What Can Griots and Bards Teach Contemporary Society? 

• Post author:Kehinde Folorunsho
• Post published:August 31, 2026

Deyemi Okanlawon as Aderemi and Mo Sesay as Ashadele in Crown of Blood | Photo by Robling Photography

Crown of Blood Review: Shakespeare, Nollywood, and Wonderfully Wicked Women

• Post author:Memuna Konteh
• Post published:August 21, 2026

[Featured Post] Pioneers of a New Frontier: A Decade of Poetic Wednesdays’s Literary Renaissance in Northern Nigeria

• Post author:Ahmad Mubarak Tanimu
• Post published:August 20, 2026

The Umuofia Arts and Books Festival 4.0 organizing team

What Went Down at Umuofia Arts and Books Festival 4.0

• Post author:Faithful Chidera Chinedu
• Post published:July 27, 2026

Presenting “Where Shadows Gather”: The Writing of a Horror Novel

• Post author:Michael Agyapong
• Post published:July 14, 2026

Photo by Immo Wegmann / Unsplash

[Featured Post] The AI-Induced Granta/Commonwealth Controversy: Who Really Bears the Brunt?

• Post author:Salmah Salam Oiza
• Post published:June 23, 2026

Festival guests and attendees

[Featured Post] ZABAFEST 2.0: A Convergence for the Future 

• Post author:Ahmad Mubarak Tanimu
• Post published:May 28, 2026