Coming Home is Now a Journey into the Throat of Leviathan

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I’ve              been a    whirlwind                     pelting                after        you 

 for    the      doing  of  the needful .              Now i sit my kneels on the     stoop,                

hands            raised    in submission.            The  thing I baptized needful scuttled         

into blaze-filled crucible & morphed           to behemoths.                 It’s now a                  

longing tucked in    the nub of                       crypt  – gashed , mashed & comatose. 

remember the cantata we hum as                   we cortege towards the cemetery?   

 that requiem we don’t want the                    tongue to kiss because it tastes  like

hell-coated                    spikes     ?                       It’s what my desire      morphed to .                

A   lion-clawed griffin guzzling blood ,           fresh breathing blood.  That is the grief my 

patriotic crave  became.          We were   two mothers who              buffeted brows on the 

jagged  face                         of   an      arroyo           averring to shape-shift  to tiger-faced 

cyclones &                                  skate after our     Moscow-based daughters who heaved                                

roots    into      exile    till         they     inverse       to           the    biome   of     beginning.                                  

Vershima – the daughter who threw her Nigerian name into the belly of             an ocean 

&                 gave herself the name extracted from  the country        dancing in the mouth 

of  war,   your co-nomad,  succumbed to the                        furnace her mother placed on 

her tongue ,  flied   home in                           eagle-shaped   glider        with        her kids,  

Olimpiada & Yelizaveta.                      After a  jubilant throng   spewed dances mirroring  

lateral undulation,                    shared brunch  smelling   like milk mined from Iyenge, in 

honor of the                  wealth that reached home ,     cow people , cow elves  parted  the 

hedges  ,                 gilded into Yeletewa , tucked two hundred people in jaws of preening             

hooks &  drew          stars & crescents on a boulevard’s face with blood            & blasted 

skulls.       Russia did not butcher our daughter, it was home         that plunged  Vershima 

into catacomb… it’s home that grinded our                      foreign buds to          potshards . 

Doshima, I raise my hands in submission           remain in the foreign       realm , coming 

home is now a journey                         into the throat of leviathan .                         Home 

has stepped into the mouth      of coffin.  Benue  is burning .                          Part my lips 

with hurricane                           &   tuck razor              blades  in      my  throat  if i hurtle 

after you again.

Godwin Obaji

Godwin Obaji  is a Nigerian poet and Script writer. His poems have appeared in Blasphemous, Penned in Rage Literary Magazine, Okiti Literary, Kalahari Review, Teambooktu, Tuck magazine and Ebedi Review. His poem made the Finalist of 2018 Uganda Babishainiwe Poetry Prize. His Haiku  poem made the Finalist of 2017 Uganda Babishaiku Prize. He's two times winner of 2022 POETREE Poetry Prize. His Poem appeared in Soil Unfurling From Stem ; An Anthology From Sub-saharan Africa, edited by Bridgette James . His poems were Longlisted for 2025 Kayode Aderinokun Poetry Prize and 2025 Brigitte Poirson Literature Prize. His poems diagnose grief & cast conduits for its banishment. He Currently studies Political Science and international Relations at the University of Abuja.